No woman no cry
No woman no cry
No woman no cry
No woman no cry
Cause I remember when we used to sit
In a government yard in Trenchtown
Observing the hypocrites
Mingle with the good people we meet
Good friends we have, Oh, good friends we have lost
Along the way
In this great future,
You can't forget your past
So dry your tears, I seh
No woman no cry
No woman no cry
Little darling, don't shed no tears
No woman no cry
Said I remember when we use to sit
In the government yard in Trenchtown
And then Georgie would make the fire lights
I seh, log would burnin' through the nights
Then we would cook cornmeal porridge
Of which i'll share with you
My feet is my only carriage
And so i've got to push on thru,
Oh, while i'm gone
Everything 's gonna be alright
Everything 's gonna be alright
No woman no cry
No woman no cry
I seh little darlin'
Don't shed no tears
No woman no cry.

Bob's story is that of an archetype, which is why it continues to have such a powerful and ever-growing resonance: it embodies political repression, metaphysical and artistic insights, gangland warfare and various periods of mystical wilderness. And his audience continues to widen: to westerners Bob's apocalyptic truths prove inspirational and life-changing; in the Third World his impact goes much further. Not just among Jamaicans, but also the Hopi Indians of New Mexico and the Maoris of New Zealand, in Indonesia and India, and especially in those parts of West Africa from wihch slaves were plucked and taken to the New World, Bob is seen as a redeemer figure returning to lead this planet out of confusion.

In the clear Jamaican sunlight you can pick out the component parts of which the myth of Bob Marley is comprised: the sadness, the love, the understanding, the Godgiven talent. Those are facts. And although it is sometimes said that there are no facts in Jamaica, there is one more thing of which we can be certain: Bob Marley never wrote a bad song. He left behind the most remarkable body of recorded work. "The reservoir of music he has left behind is like an encyclopedia," says Judy Mowatt of the I-Threes. "When you need to refer to a certain situation or crisis, there will always be a Bob Marley song that will relate to it. Bob was a musical prophet."

The tiny Third World country of Jamaica has produced an artist who has transcended all categories, classes, and creeds through a combination of innate modesty and profound wisdom. Bob Marley, the Natural Mystic, may yet prove to be the most significant musical artist of the twentieth century.

We're jammin', jammin', jammin', jammin'
And we're jammin' in the name of the Lord
We're jammin', jammin', jammin', jammin'
We're jammin' right straight from yard
Singing Holy Mount Zion, Holy Mount Zion
Jah sitteth in Mount Zion and rules all creation
Yeah, we're jammin', Bop-chu-wa-wa-wa

We're jammin'
I wanna jam it with you
We're jammin', jammin', jammin', jammin'
And Jamdown hope you're jammin', too
Jah knows how much I 'ave tried
The truth cannot hide
To keep you satisfied
True love that now exists
Is the love I can't resist
So jam by my side
We're jammin', jammin', jammin', jammin'
I wanna jam it with you
We're jammin', we're jammin', we're jammin', we're jammin'
We're jammin', we're jammin', we're jammin', we're jammin'
Hope you like jammin', too.
(Repeat)
more Bob Marley and Wailers Lyrics

Rise up this mornin',
Smiled with the risin' sun,
Three little birds
Sit by my doorstep
Singin' sweet songs
Of melodies pure and true,
Sayin', "This is my message to you-ou-ou:"

Singin': "Don't worry about a thing, worry about a thing, oh!
Every little thing is gonna be all right. Don't worry!"
Singin': "Don't worry about a thing" - I won't worry!
"'Cause every little is thing gonna be all right."

Singin': "Don't worry about a thing,
'Cause every little thing is gonna be all right" - I won't worry!
Singin': "Don't worry about a thing,
'Cause every little thing is gonna be all right."
Singin': "Don't worry about a thing, oh no!
'Cause every little thing is gonna be all right! /fadeout/

1960 wlis dasawyishi, iamaikashi arsebobda musikaluri mimdinareoba "ska". bobma aqtiurad daiwyomushaoba am stilshi da chawera simgera saxelwodebit "Simmer Down", romelic iamaikaze super hitad iqca.

1966 wlis 10 tebervals marlim rita andersonze iqrorwilda. igi jguf "the Soulettes" wevri gaxldat. mogvianebit rita ara marto bobis shvilebis deda aramed musikosis simgerebis tanaavtoric gaxda.
jgufis ganvitarebis shemdgomi etapi musikos-eqsperimentatoris "Lee Scratch Perry"s ukavshirdeba, romelmac radikaluri cvlilebebi sheitana jgufis shemoqmedebit mxareshi. man daarwmuna musikosebi, rom ar emgerat tradiciuli simgerebi, nakleblebat gamoeyenebinat sasule instrumentebi da gaezlierebinat gitaris xazi sworad ase sheiqmna axali musikaluri mimdinareoba "regi" 1972 wels. mas shemdeg rac jgufma ori axali albomi gamoushva, igi iamaikis parglebs radikalurad gascda da msoflio gaaoca. warmatebas warmateba mohyva da 1974wels axali albomi gamovida, romelshic iseti msoflio hiti shevida, rogoricaa -No woman no cry.

ertxel. iamaikashi gamartul "the wailing"-is koncerts qveynis premier ministri da iamaikis opoziciis liderebi ewvien. ukve nateli iyo, rom bob marleys sakutar qveyanashi ise uyurebdnen rogorc erovnul gmirs.